Dr. Hanan Omar
A poet and an Algerian writer.
In addition to the growing tropical forests, those silent questions that are commonly known and unspoken, and whose thorns expand to intersect with the truth and hurt all those who give their hands to them, as if they pose risks of penetration and detection, and the risk of searching for anonymous answers, but only one look at the scene -- when the phenomena are connected with some awareness-raising -- is enough to try to be creative.
Perhaps one of the most critical questions to be avoided is that of a feminist poet, with my reservation to the term and the need to use it. While the monetary code is stirred by many feminine poetry names, many of which are often swollen by comity or sympathy, these readings are often linked to certain experiences of certain causes and to other omissions. What are these phenomena?
I'll be back in memory for years when I was still at the beginning of my experience, when I accidentally took care of the opening of an old cultural magazine, which was occupying a group of great writers and critics, whose images were carefully painted in the first pages, as the most important, the better, and they were.
I'm not sure that the old magazine was rich in women's participation, but that the image I've been looking for wasn't on the regular list.
Then let's go back to the beginnings - quickly - and to the historical data on feminine hair, a term we will agree for logistical reasons to use in the following, to refer to poetry texts written by women - in the civilization of a riverine country, the name of the oldest known poet on the ground - and I'm not less here a poet - to confirm precedence over the sexes - Let's go. The daughter of King Serjun Alkadi, born in 2286 B.C., died after a young woman in 35, but during her short life, she left great traces and wrote immortal texts, which took a religious external form, but imagining her meanings, images and references, which led to her being just a mask, concealing the cravings of the oasis.
At the Arab level, in the ancient times, many names emerged, most of which were vocal and left with scattered fathers, such as the qualification of the Chebaan, the courageous personality, which, for an unknown reason, left many of the scholars of political significance, and whose poetry was simply sculptured. We must point out here the wrong information about the death of her four sons. The Muslim women are not the dead of their children, but the Negro.
We must point out something important here, namely, the phenomenon of maturity in the Galle era, and its specific association with women, which, in my opinion, simply stems from the fact that women at that time, in war, conflict and the cruelty of life, were not reaching the age of poetry, unless they were killed, widowed, damaged or lost a life, thus spreading the philosophy of death, and became the philosophy of life.
But it wasn't enough to mention any poetry in the book of "Princests", like, which was written between 764 and 787 years ago, and it was one of the first bloggers to preserve the throne, which included 67 poets and nearly 130 vocals, with the total absence of a woman's hair.
Entering illiterate, fratricidal and even Andalusian ages, there have been shifts in social life and the moral environment, and women ' s hair has become highly correlated with the surroundings, who used it as freedom of expression and as a means of disinformation.
Finally, in modern times, things have not changed much, since women ' s poetry has been excluded from the front lines of a big hairline that can only recognize the importance of their experiences and earnestly, and in return we can remember only a few names, the most important of which are those of the males, who have tried to open up the power of the young woman.
I am not trying here to condemn the convict scene, which we all know what and what it is, to the extent that I am trying to point to the place of disease to find medicine, to find a solution that requires first recognition of the existence of a great and obvious problem, to grow safely through times, to disrupt the development of Arab poetry, to destroy the experiences, so we must analyse the phenomenon more rationally, beyond the reach of differences and without ignoring it.
